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	<title>Harold Lechien</title>
	<link>https://haroldlechien.com</link>
	<description>Harold Lechien</description>
	<pubDate>Thu, 11 Jun 2026 13:17:40 +0000</pubDate>
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		<title>Home Image Scroll</title>
				
		<link>https://haroldlechien.com/Home-Image-Scroll</link>

		<pubDate>Mon, 31 Oct 2022 16:22:06 +0000</pubDate>

		<dc:creator>Harold Lechien</dc:creator>

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		<title>Too Many Open Tabs</title>
				
		<link>https://haroldlechien.com/Too-Many-Open-Tabs</link>

		<pubDate>Thu, 11 Jun 2026 13:17:40 +0000</pubDate>

		<dc:creator>Harold Lechien</dc:creator>

		<guid isPermaLink="true">https://haroldlechien.com/Too-Many-Open-Tabs</guid>

		<description>TOO MANY OPEN TABS











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&#38;nbsp;EN/
In this exhibition, Harold Lechien presents a series of paintings constructed from forgotten family archives and images saved on a personal cloud. Photographs and fragments of memories have been assembled and overlaid, printed on canvas, and reworked with successive layers of oil paint.
 
These works are rooted in a condition known as brainrot: a word referring to both a state of mental and visual saturation caused by intensive internet use, as well as certain forms of content (especially those generated by artificial intelligence). In this system of perpetual scrolling, where intimate memory is outsourced to digital media, images lose their chronology, their hierarchy, their meaning : all becomes content.The canvas acts then as a domestic wormhole: a material surface on which these elements have been frozen at the moment of collision, sedimented by the various steps of the process. In these compositions, some fragments surface and persist while others fade away ; they are all kept in suspension, in a flattened and absolute present.
 
From these hallucinatory constellations, unease emerges, an uncanny disturbance that seeks to destabilize the ordinary temporality of reality: decay, lurking in the shadows.
 
Text by Gabriel René FranjouFR/
Harold Lechien présente dans cette exposition une série de peintures, réalisées à partir d’archives familiales oubliées et d’images sauvegardées sur un cloud personnel. Photographies et fragments de souvenirs ont été assemblés et superposés par montage numérique, imprimés sur toile, puis retravaillés par couches successives de peinture à l’huile. Ce travail émerge d’une condition qu’on appelle brainrot : un terme désignant à la fois une saturation mentale et visuelle due à une utilisation intensive d’internet, ainsi que certaines formes de contenus (notamment celles générées par intelligence artificielle). Dans ce régime de défilement perpétuel, où la mémoire intime est extériorisée vers le numérique, les images perdent leur chronologie, leur hiérarchie, leur sens : tout devient contenu.
 
La toile agit alors comme un wormhole domestique : une surface matérielle où ces éléments ont été figés à l’instant de la collision, sédimentés par les différentes étapes du processus. Dans ces compositions, certains fragments affleurent et persistent tandis que d’autres s’effacent ; ils sont maintenus en état de suspension, dans un présent total et aplati.
 
De ces amalgames chimériques naît un certain malaise, un trouble qui cherche à déstabiliser le réel et sa temporalité ordinaire: c’est la pourriture qui pointe le bout de son nez.
 
Texte d’exposition de Gabriel René Franjou

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neurologists call this drink bottled Alzheimer’s how do you drink


it well last night we let the bottled Alzheimer’s talk listen i brought


you into this world and i can take you out of it i am not spending the


night in the emergency room you slept the whole night through you


were the best smelling baby but do not let your computer see that picture


they could send a SWAT team to your house do you remember where you


were on 9/11 because i think nobody should remember anything they don’t


need to although you can’t make an omelet without throwing a couple of


eggs in the food processor you do realize that purity is not an option i am


making up the sins for guaranteed absolution my parents used to have


to pull me around in a little red wagon it was uncanny to see in that


black-and-white movie a scene called Jack Shows Meg His Tesla Coil


and he carries his Tesla coil in a little red wagon just like mine it’s


an electrical transformer and it generates a bunch of sparks all


around it it looks like wild wild lightning did you know Nikola Tesla


perceived the earth to be a conductor of acoustical resonance isn’t it


fucked up that licking your lips makes them dry faster have you noticed


that washing machine time isn’t even close to real-life time in real life


the pearl cannot be turned back to sand do you remember the first time


you saw a flower i don’t know much about flowers to me they’re all


just flowers i think in my past life i posed for a painting and


they stole my soul from me they’re gonna boil me for a stew tomorrow


they’re gonna cut me up into delicious bite-size pieces watch the


expiration date though someone i used to know did DMT back in ’08


and ever since they’ve been able to intercept the satellite transmission


of every football game with their mind except during the commercial break


they see a portrait of their grandparents dissolving into static but


yeah what are you gonna do about it it’s football psychologists say


the most dangerous form of loneliness is not being alone and


the news says no one came to this blind little girl’s birthday party and


the pope says woe to those who drag that which is sacred into darkness


and filth and we all have a friend of two that’s probably not going to


make it as for me i have ghosts but i do not feel haunted my thoughts


behave like both wave and particle like both rubber and


gum once upon a time i wanted a life that was separate from


that of the people around me but the escape hatch got us all


falling into the same trap door there is a whirlpool in the tomato soup


there is an app for that there is electricity in everything and


there is always more where that came from this actually happened


and it happened to me there is proof in the shape of a picture


i was in the desert in Egypt and i was holding the key to the


temple and i am holding it tight and i went inside the temple too


and it was majestic in an inhuman way but it’s all kind of fading and


i can’t fight it there is a magic in images of the mind i love


orange juice but orange juice is a myth do we have orange juice


at home yeah sure honey we have demons at home mom what does that


mean hey mom i would like to understand how the zero percent interest rate


policy enacted after the crash is responsible for all the shit we’re forced


to experience nowadays look like i said i brought you into this world and i can


take you out of it and yeah i guess i saw the towers on tv and i remember


exactly where the tv was in the living room and the color of the couch it was


blue i was born on that couch and lots of people died every time the weather


gets like this every time it gets a little warm and rainy i get shivers


down my spine and my chest tightens and i think of the way those eyes


stared at me from the void and i guess a part of my soul is there with them


wherever they are i’m trying to remember what i had for breakfast i am


going to send you a pdf i am going to take 60 milligrams of Adderall


i am looking for a good reason i am going to hang out at the wetlands after


work it’s 98 degrees Fahrenheit that’s about 36 Celsius there’s a ton of bugs


and a storm is looming you should come with and after it’s all over i will


realize i’ve missed several social cues but to be honest i think what’s really


wrong is that a sandwich doesn’t really come with fries anymore you have


to order the fries on the side i guess it used to be different but yeah.


what are you gonna do. in this economy. forget about it.


Poem by Gabriel René Franjou





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The exhibition also includes a collaborative music selection.


This mix brings together around thirty musicians and DJs, eac invited to share a track: 
a personal fragment, a kind of musical madeleine de Proust.
Songs that carry time within them, that resurface unexpectedly, that stay long after they’ve been heard.
Each track holds a story: sometimes clear, sometimes blurred like images we keep, lose, or rediscover. 
Together, they form a collective playlist, an atmosphere made of memories, of lives crossing through music.



	With a selection of tracks chosen by :


Lutèce Lockness


David Numwami


Soumaya Phéline


Jazz Lambaux


Miss Sheitana


Munix


Antoine Quatre-Vingt


Daisy Ray


Maoupa Mazzocchetti


Naomie Klaus


Tommy Moisi


Renoiterrible


Stella K


Crystal Murray


World Brain


Jean-Baptiste Gibs


Laura Krsmanovic


basile3


Promesses


Devana


Galatée


Yokin


Emma Bergmann


Flo Canté


Satine


Daisy Mortem


Oélia


Human Aventura



	Casablanca Drivers

Victoria Palacios

Poorlabour

Zéphyr

Loïse Alline

Jujulove

Oeryo

Victoria Bécane

Jean-Pierre Muller

Armand Droz-Vincent

Hantédemos

Adrien Degioanni

Oriane Bruyat

Lucien Vantey

Gabriel René Franjou

Joséphine Chiarelli

Alexandre García

Nicolas Bouchez

Cyprien Mechanick

Léo Luccioni

Mélia Roger

Antoinette d’Ansembourg

Léo Gillet

Mathias Palazzi

Mathilde Nury

Brieuc Schieb

Timothée Engasser

Léa Barrachicha

Original Caliente

Julien Flameng

Ian Curly

Judy Vendredi

Yoga Teacher

…




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	<item>
		<title>I Could Live Here Forever</title>
				
		<link>https://haroldlechien.com/I-Could-Live-Here-Forever</link>

		<pubDate>Wed, 15 Apr 2026 11:10:59 +0000</pubDate>

		<dc:creator>Harold Lechien</dc:creator>

		<guid isPermaLink="true">https://haroldlechien.com/I-Could-Live-Here-Forever</guid>

		<description>I COULD LIVE HERE FOREVER
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&#60;img width="1620" height="2025" width_o="1620" height_o="2025" data-src="https://freight.cargo.site/t/original/i/4abdb87ce55c2a9a5dd222f7c1dc3d6e4901b9d1dc8a2bf3a2c049d735b566a6/13_ICLHF_photo_insta1.jpg" data-mid="247225536" border="0"  src="https://freight.cargo.site/w/1000/i/4abdb87ce55c2a9a5dd222f7c1dc3d6e4901b9d1dc8a2bf3a2c049d735b566a6/13_ICLHF_photo_insta1.jpg" /&#62;
&#60;img width="1620" height="2025" width_o="1620" height_o="2025" data-src="https://freight.cargo.site/t/original/i/b95bf2553b34a0e9fcfcce57153eedcb2bbe2057fc2002ea4afbf5ee16096452/12_ICLHF_post_still_2.jpg" data-mid="247225525" border="0"  src="https://freight.cargo.site/w/1000/i/b95bf2553b34a0e9fcfcce57153eedcb2bbe2057fc2002ea4afbf5ee16096452/12_ICLHF_post_still_2.jpg" /&#62;
&#60;img width="1620" height="2025" width_o="1620" height_o="2025" data-src="https://freight.cargo.site/t/original/i/6e35b12440d9e8ec093429370a461c08947e86d08eb217a319691848f061734e/7_ICLHF_photo_insta7.jpg" data-mid="247225538" border="0"  src="https://freight.cargo.site/w/1000/i/6e35b12440d9e8ec093429370a461c08947e86d08eb217a319691848f061734e/7_ICLHF_photo_insta7.jpg" /&#62;
&#60;img width="5000" height="3335" width_o="5000" height_o="3335" data-src="https://freight.cargo.site/t/original/i/180aeb9cc1911a5f63fd310ab0bedcb510aab88420bf061ae4ec42d0d1343ad6/Harold-Lechien--I-Could-Live-Here-Forever--installation--2025--production-Le-Fresnoy--Studio-national-des-arts-contemporains--Quentin-Chevrier.jpg" data-mid="247225535" border="0"  src="https://freight.cargo.site/w/1000/i/180aeb9cc1911a5f63fd310ab0bedcb510aab88420bf061ae4ec42d0d1343ad6/Harold-Lechien--I-Could-Live-Here-Forever--installation--2025--production-Le-Fresnoy--Studio-national-des-arts-contemporains--Quentin-Chevrier.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Glass Skin</title>
				
		<link>https://haroldlechien.com/Glass-Skin</link>

		<pubDate>Mon, 30 Sep 2024 14:34:57 +0000</pubDate>

		<dc:creator>Harold Lechien</dc:creator>

		<guid isPermaLink="true">https://haroldlechien.com/Glass-Skin</guid>

		<description>
GLASS SKIN











Production&#38;nbsp;
Le Fresnoy - Studio national des arts contemporains - 2024
GLASS SKIN
Dual channel Installation video
26’30”
&#38;amp;
Monochannel video
26’30”











SHORT SYNOPSIS —

FR/
Différents personnages, autant physiques que numériques, explorent leurs vulnérabilités. Ils se confrontent à la relation poreuse qu’il existe entre leur peau, leurs représentations à l’écran et la manière dont ils perçoivent et se perçoivent.


EN/
Different characters, both physical and digital, explore their own vulnerability. They confront the porous relationship between their skin, their on-screen representations and the way they perceive themselves.



&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/fbbd7d4e2b91a16220118863ac71edb00cc83df12ac97ad91a5e81d4569e0dce/Glass_Skin_panorama26_photo7.jpg" data-mid="227338437" border="0"  src="https://freight.cargo.site/w/1000/i/fbbd7d4e2b91a16220118863ac71edb00cc83df12ac97ad91a5e81d4569e0dce/Glass_Skin_panorama26_photo7.jpg" /&#62;Glass Skin, 2024 - exhibition view at “Panorama 26” - Le Fresnoy📷 Harold Lechien&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0c9286d6c5c35a402f53fd56619940f4b7605ecd6523e76e078db0b8481a7d9a/2024-11-28-15_13_45-Glass-Skin--Harold-LECHIEN--2024-english-wip-on-Vimeo--Mozilla-Firefox.png" data-mid="227338447" border="0"  src="https://freight.cargo.site/w/1000/i/0c9286d6c5c35a402f53fd56619940f4b7605ecd6523e76e078db0b8481a7d9a/2024-11-28-15_13_45-Glass-Skin--Harold-LECHIEN--2024-english-wip-on-Vimeo--Mozilla-Firefox.png" /&#62;Glass Skin, 2024 - Still - Monochannel - Ines Guffroy &#38;amp; Denis Dedieu
&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/9945c21e7a05ed0802703f1521f6f79b85656329f37fa5780126202056bdadef/Glass_Skin_still3.jpg" data-mid="218957788" border="0"  src="https://freight.cargo.site/w/1000/i/9945c21e7a05ed0802703f1521f6f79b85656329f37fa5780126202056bdadef/Glass_Skin_still3.jpg" /&#62;Glass Skin, 2024 - Still - Monochannel - Léo Gillet, Armand Droz-Vincent, Ines Guffroy
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1d9b4945ca5f9d45f0cd385b5fbd89192b180a942dd9574decd86fbe029f84be/2024-11-28-15_19_39-Glass-Skin--Harold-LECHIEN--2024-english-wip-on-Vimeo--Mozilla-Firefox.png" data-mid="227338635" border="0"  src="https://freight.cargo.site/w/1000/i/1d9b4945ca5f9d45f0cd385b5fbd89192b180a942dd9574decd86fbe029f84be/2024-11-28-15_19_39-Glass-Skin--Harold-LECHIEN--2024-english-wip-on-Vimeo--Mozilla-Firefox.png" /&#62;
Glass Skin, 2024 - Still - Monochannel&#38;nbsp;

EXHIBITION TEXT —





FR/Glass Skin est une installation vidéo qui explore la relation poreuse entre notre peau et les écrans. À travers une série d'actes qui combinent animations 3D, films et banques d’images commerciales, le spectateur s’immerge dans une réflexion révélant les tensions et les contradictions inhérentes à l’authenticité et à la mise en scène de soi, aux rituels de skincare et à leur place dans notre quotidien hyperconnecté. Un aller-retour constant s’opère entre la réalité et la fiction, entre la vulnérabilité des corps physiques et les possibilités infinies des technologies. À l’heure où l’image numérique se matérialise comme une seconde peau, les relations tangibles entre nos corps et les images s’adaptent pour laisser place à des jeux de représentations et d’influences qui transcendent nos affects. L'expérience visuelle de ce film-installation est accompagnée par des sculptures représentant des chaises de massage, offrant aux visiteurs la possibilité de s’immerger dans les images projetées sur les deux écrans.

Glass Skin démantèle les stratégies d’adresse médiatique pour confronter nos corps avec l’image numérique en renversant nos attentes : le corps devient un produit consommable alors que les produits se transforment en corps agissants.
EN/Glass Skin is a video installation that explores the porous relationship between our skin and screens. Through a series of acts combining 3D animations, films, and commercial image banks, the viewer is immersed in a reflection that reveals the tensions and contradictions inherent in authenticity and self-staging, skincare rituals, and their place in our hyperconnected daily lives. A constant back-and-forth occurs between reality and fiction, between the vulnerability of physical bodies and the infinite possibilities of technology. At a time when the digital image materializes as a second skin, the tangible relationships between our bodies and images adapt to give way to plays of representation and influence that transcend our emotions. The visual experience of this film-installation is accompanied by sculptures representing massage chairs, offering visitors the opportunity to immerse themselves in the images projected on the two screens.

Glass Skin dismantles media address strategies to confront our bodies with the digital image, subverting our expectations: the body becomes a consumable product while products transform into acting bodies.



&#60;img width="7087" height="9449" width_o="7087" height_o="9449" data-src="https://freight.cargo.site/t/original/i/d9d612aaa04a06daa8f808dac1dd5de69a4885f27268dbad31d0e0c3b836ed2f/Glass_Skin_Affiche_web.jpg" data-mid="218957745" border="0"  src="https://freight.cargo.site/w/1000/i/d9d612aaa04a06daa8f808dac1dd5de69a4885f27268dbad31d0e0c3b836ed2f/Glass_Skin_Affiche_web.jpg" /&#62;Cover : Glass Skin, 2024
📷 Aurélien De BolsterCREDITS : 
Le Fresnoy - Studio national des arts contemporains présente : Glass Skin
un film de Harold Lechien

Avec Léo Gillet, Inès Guffroy, Armand Droz-Vincent, Denis Dedieu, Chun-Ting Lin, Antoinette d’Ansembourg

Une histoire originale d’Harold Lechien, écrite par Gabriel René Franjou.

Assistante réalisateur : Zoë Seuret

Cheffe opératrice : Liora Berliner

Assistant caméra : Axel Guigon

Chef électricien - machiniste : Alexandre García

Maquilleur.euses : Chaïm Vischel &#38;amp; Eva Bordot
assisté.es de : Manon Dequenne

Décor et accessoires : Harold Lechien

Photographe de plateau : Aurélien De Bolster

Régie : François De Cat &#38;amp; Valentina Sofía

Chorégraphe : Mathilde Delval

Artiste 3D Interlude : « A Tale of Tangled Desires » : Duanra

Artistes 3D Narrateur : « The Soft Mask » Modélisation et animation 3D personnage : Caroline Dussuel 
Environnements et cadrages 3D : Sybil Montet

Montage image : Harold Lechien

Design sonore : Jules Cassignol

Musique : Harold Lechien - Kevin MacLeod

Mixage : Lorenzo Targhetta

Étalonnage : Liora Berliner

Avec le soutien de SIIN Scientific Institute for Intelligent Nutrition
</description>
		
	</item>
		
		
	<item>
		<title>Detox</title>
				
		<link>https://haroldlechien.com/Detox</link>

		<pubDate>Mon, 31 Oct 2022 16:22:09 +0000</pubDate>

		<dc:creator>Harold Lechien</dc:creator>

		<guid isPermaLink="true">https://haroldlechien.com/Detox</guid>

		<description>DETOX


Exhibition : “Là où je me terre” Curated by Mélanie Rainville at ISELP, Bruxelles
Opening - 04.27.23

&#60;img width="2616" height="1804" width_o="2616" height_o="1804" data-src="https://freight.cargo.site/t/original/i/63a8b17676800626254fb320e272bd68f8a5b07b227d0f93cab6e0504323f10f/Capture-decran-2023-07-05-a-13.47.07.png" data-mid="184212718" border="0"  src="https://freight.cargo.site/w/1000/i/63a8b17676800626254fb320e272bd68f8a5b07b227d0f93cab6e0504323f10f/Capture-decran-2023-07-05-a-13.47.07.png" /&#62;Installation view - “DETOX” - Là où je me terre - @ISELP - Bruxelles&#38;nbsp;📷 JJSEROL

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="2494" height="4208" width_o="2494" height_o="4208" data-src="https://freight.cargo.site/t/original/i/367ac4bdcc769762195e59eade302fd435dcfd460da81fa3b441fa48da98b617/JJSEROL_6224.jpg" data-mid="184212382" border="0"  src="https://freight.cargo.site/w/1000/i/367ac4bdcc769762195e59eade302fd435dcfd460da81fa3b441fa48da98b617/JJSEROL_6224.jpg" /&#62;

					Détail - “Protéin Lamp” - Boîte de protéine “Pancake Mix”, ampoule, câbles - 2023 @ISELP - Bruxelles📷 JJSEROL

“Internet, cette manne inépuisable, charrie son lot quotidien de Trends
– comprenez, de mouvements, d’initiatives, d’attitudes à suivre, et à
poursuivre. Dernièrement, l’une d’entre elle à fait surface, que dis-
je, a éclipsé nombres de ses prédécesseuses désormais obsolètes.
Je veux bien évidemment parler du phénomène... Detox. Dans une
époque où le Healthy Style, le soin du corps et de l’âme, le bien-être et
la circulation des flux se sont érigé.es en mantra, la Detox est entrée
au Panthéon des routines imparables.

					Prenez deux artichauts, ajoutez-y quelques baies de Goji, une poignée
d’épinards, saupoudrez le tout de chia et vous obtenez l’élixir de
jouvence des sociétés bien portantes. Justin, Kate, Keanu, Johnny le
pirate, l’autre Kate et les sœurs Kardashians ne s’y sont pas trompé.es.
La detox, cette purification métabolique, cette purge homéopathique
made in California, est devenue le passage obligé de la quête ultime
de la réalisation de soi, elle-même étape du bonheur, objectif suprême
s’il en est.

					A grands renforts de posts, d’états d’âme étalés et de photos partagées,
nos héros et nos héroines, muni.es de leur jus à l’aspect douteux et
à la consistance turbide nous montre continuellement la voie. À nous,
pauvres mortel.les.

					L’installation que vous avez sous les yeux est un condensé
d’énergie et d’époque. Elle met en scène tout l’attirail technique de
notre Happycratie, cette industrie du bonheur qui a prit le contrôle
nos vies1 (sans même que l’on s’en aperçoive). Elle nous donne à
réfléchir l’intrication subtile, mais ô combien contemporaine, entre
la marchandise et l’image, entre l’être et l’avoir, que ce terme Detox
réunit en son sein.
N’ayez pas peur, approchez-vous, dégustez sans retenue le mystérieux
breuvage qui vous est offert. Vous le méritez bien. Oui, vous... parce
que vous aussi, vous pouvez être heureux.ses.”Texte - Pierre Arese (ISELP) pour les Brussels Museum Nocturnes 2022
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/9edfbddcadc1900aaa429eb4c265449582cf7235fe99f2fd2351c1a2b1e461c9/HaroldLechien_Verres_DETOX_All.jpg" data-mid="157593617" border="0"  src="https://freight.cargo.site/w/1000/i/9edfbddcadc1900aaa429eb4c265449582cf7235fe99f2fd2351c1a2b1e461c9/HaroldLechien_Verres_DETOX_All.jpg" /&#62;&#60;img width="1554" height="2240" width_o="1554" height_o="2240" data-src="https://freight.cargo.site/t/original/i/2f56d9148a066fa4aa2c19fe55a1760054e35bda8ef590954cafd750e11ba694/Capture-decran-2023-07-05-a-13.44.26.png" data-mid="184212654" border="0"  src="https://freight.cargo.site/w/1000/i/2f56d9148a066fa4aa2c19fe55a1760054e35bda8ef590954cafd750e11ba694/Capture-decran-2023-07-05-a-13.44.26.png" /&#62;

					Détail - Verres à jus en verre soufflé (Rombach Glass à Anvers) smartphones, eau, colorant - 2023&#38;nbsp;@ISELP - Bruxelles
📷 JJSEROL


				
			
		
	

&#60;img width="2716" height="1804" width_o="2716" height_o="1804" data-src="https://freight.cargo.site/t/original/i/0a3800d440977f74baff5d1ed9393035feeb05f043d16f7bdbe9dc76b1bae8da/Capture-decran-2023-07-05-a-13.46.02.png" data-mid="184212664" border="0"  src="https://freight.cargo.site/w/1000/i/0a3800d440977f74baff5d1ed9393035feeb05f043d16f7bdbe9dc76b1bae8da/Capture-decran-2023-07-05-a-13.46.02.png" /&#62;Détail - “Bidets” - polystyrène, béton, bain de lavage - 2023&#38;nbsp;@ISELP - Bruxelles📷 JJSEROL


&#60;img width="2596" height="3670" width_o="2596" height_o="3670" data-src="https://freight.cargo.site/t/original/i/2b62c4abbeb39a8b250ea6b5f6f8cf784d38b3a90fe33a6701dba9aba35464b6/JJSEROL_6202.jpg" data-mid="184212376" border="0"  src="https://freight.cargo.site/w/1000/i/2b62c4abbeb39a8b250ea6b5f6f8cf784d38b3a90fe33a6701dba9aba35464b6/JJSEROL_6202.jpg" /&#62;Details - Photographie - impression sur forex 5mm - 150x100cm @ISELP - Bruxelles📷 JJSEROL
 

PRESSE :https://www.lesoir.be/511631/article/2023-05-05/la-ou-je-me-terre-lart-comme-refuge-face-au-mal-etrehttps://www.rtbf.be/article/expo-la-ou-je-me-terre-a-liselp-ou-comment-se-mettre-off-de-ce-monde-trop-cruel-11189624https://www.mu-inthecity.com/la-ou-je-me-terre-iselphttps://www.lalibre.be/culture/arts/2023/05/11/nos-refuges-face-a-lanxiete-vus-par-les-artistes-QPA2VJIDT5DQFOAIJMZAQ3SL34/
</description>
		
	</item>
		
		
	<item>
		<title>Affected Youth</title>
				
		<link>https://haroldlechien.com/Affected-Youth</link>

		<pubDate>Fri, 20 Jan 2023 17:17:46 +0000</pubDate>

		<dc:creator>Harold Lechien</dc:creator>

		<guid isPermaLink="true">https://haroldlechien.com/Affected-Youth</guid>

		<description>AFFECTED YOUTH&#38;nbsp;
Showcase - “Rola Bola” - Rouen, France
Opening - 01.27.23

&#60;img width="5000" height="6644" width_o="5000" height_o="6644" data-src="https://freight.cargo.site/t/original/i/9c23c4d1c0dec560d3eca587045717d476a4b07fcb79508f7dedf33f40fff4ee/HaroldLechien_Rolabola_affiche_CMJN_WEB.jpg" data-mid="165407242" border="0"  src="https://freight.cargo.site/w/1000/i/9c23c4d1c0dec560d3eca587045717d476a4b07fcb79508f7dedf33f40fff4ee/HaroldLechien_Rolabola_affiche_CMJN_WEB.jpg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b0859a236591468f1e3e1915035794d04b493cc4f625c283cf85b861f8ff931e/RolaBola_10_square_LQ.jpg" data-mid="176066249" border="0"  src="https://freight.cargo.site/w/1000/i/b0859a236591468f1e3e1915035794d04b493cc4f625c283cf85b861f8ff931e/RolaBola_10_square_LQ.jpg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/db099b7400a71f6699228f0399f3ecce69264805bd762aa74c1f327eb273dde1/RolaBola_9_square_LQ.jpg" data-mid="176066247" border="0"  src="https://freight.cargo.site/w/1000/i/db099b7400a71f6699228f0399f3ecce69264805bd762aa74c1f327eb273dde1/RolaBola_9_square_LQ.jpg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9f6a07039678558e0e5324758104222d04805f8087c53e852e422bae87dc4fba/RolaBola_3_square_LQ.jpg" data-mid="176066238" border="0"  src="https://freight.cargo.site/w/1000/i/9f6a07039678558e0e5324758104222d04805f8087c53e852e422bae87dc4fba/RolaBola_3_square_LQ.jpg" /&#62;&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d7dd9b3a9626d150c7269eeffe7a9fe56002daca38e439d8a0c80c07623d7fdc/RolaBola_2_square_LQ.jpg" data-mid="176066237" border="0"  src="https://freight.cargo.site/w/1000/i/d7dd9b3a9626d150c7269eeffe7a9fe56002daca38e439d8a0c80c07623d7fdc/RolaBola_2_square_LQ.jpg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/73e04ef02097df1aa088c668a301c09bfc628ff6f5bde45b6d814bb9e9cc38d2/RolaBola_1_square_LQ.jpg" data-mid="176066236" border="0"  src="https://freight.cargo.site/w/1000/i/73e04ef02097df1aa088c668a301c09bfc628ff6f5bde45b6d814bb9e9cc38d2/RolaBola_1_square_LQ.jpg" /&#62;&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0aba77781e3ae28b6958bc74cb67f7707a70e49e458a8eef190bd014532ef2d3/RolaBola_8_square_LQ.jpg" data-mid="176066246" border="0"  src="https://freight.cargo.site/w/1000/i/0aba77781e3ae28b6958bc74cb67f7707a70e49e458a8eef190bd014532ef2d3/RolaBola_8_square_LQ.jpg" /&#62;&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/2c63a276bf62772f6e8649f66dd547847a80d1c9c1afcf2999a6f702296d053f/RolaBola_5_square_LQ.jpg" data-mid="176066243" border="0"  src="https://freight.cargo.site/w/1000/i/2c63a276bf62772f6e8649f66dd547847a80d1c9c1afcf2999a6f702296d053f/RolaBola_5_square_LQ.jpg" /&#62;&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/9f6a07039678558e0e5324758104222d04805f8087c53e852e422bae87dc4fba/RolaBola_3_square_LQ.jpg" data-mid="176066238" border="0"  src="https://freight.cargo.site/w/1000/i/9f6a07039678558e0e5324758104222d04805f8087c53e852e422bae87dc4fba/RolaBola_3_square_LQ.jpg" /&#62;&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/689f0e1a84c00aeac580f5076f779424734784f6054e2b68bf4b2e7793eb90ef/RolaBola_6_square_LQ.jpg" data-mid="176066244" border="0"  src="https://freight.cargo.site/w/1000/i/689f0e1a84c00aeac580f5076f779424734784f6054e2b68bf4b2e7793eb90ef/RolaBola_6_square_LQ.jpg" /&#62;</description>
		
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	<item>
		<title>Unpacking</title>
				
		<link>https://haroldlechien.com/Unpacking</link>

		<pubDate>Wed, 23 Nov 2022 16:04:27 +0000</pubDate>

		<dc:creator>Harold Lechien</dc:creator>

		<guid isPermaLink="true">https://haroldlechien.com/Unpacking</guid>

		<description>
UNPACKING

Group Show “Ballroom Project #5” with Ballroom Gallery at BorGerHub, Anvers.
Opening - 05.18.23

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/6f3367b9891b0b6f45d3534034f44348e88c4447c7590001eeab8737e8b52724/photo_EGGS_Anvers_1.jpg" data-mid="184215803" border="0"  src="https://freight.cargo.site/w/1000/i/6f3367b9891b0b6f45d3534034f44348e88c4447c7590001eeab8737e8b52724/photo_EGGS_Anvers_1.jpg" /&#62;
📷&#38;nbsp; Installation View - Plaster, Baxters, epoxy clay, pigment.

&#60;img width="3906" height="3906" width_o="3906" height_o="3906" data-src="https://freight.cargo.site/t/original/i/298c22b1f436b74f8e62b95b458ed52d5319d8ba49cc8cf883a79e166fc63e5e/Eggs_BAXTER_Studio.jpg" data-mid="195765730" border="0"  src="https://freight.cargo.site/w/1000/i/298c22b1f436b74f8e62b95b458ed52d5319d8ba49cc8cf883a79e166fc63e5e/Eggs_BAXTER_Studio.jpg" /&#62;📷&#38;nbsp; Studio View - Plaster, Baxters, epoxy clay, pigment.
</description>
		
	</item>
		
		
	<item>
		<title>Aboxisaboxisabox</title>
				
		<link>https://haroldlechien.com/Aboxisaboxisabox</link>

		<pubDate>Mon, 31 Oct 2022 16:22:08 +0000</pubDate>

		<dc:creator>Harold Lechien</dc:creator>

		<guid isPermaLink="true">https://haroldlechien.com/Aboxisaboxisabox</guid>

		<description>
A BOX IS A BOX IS A BOX«A box is a box is a box», a video
installation born from a collaboration between Harold
Lechien, Frizbee Ceramics and Gabriel René Franjou.
&#60;img width="6311" height="3994" width_o="6311" height_o="3994" data-src="https://freight.cargo.site/t/original/i/7be778f35aa63334110a4416a2b458eb6c301e6daa2045d8a7aaaef8c2688e17/HaroldLechien_ABOXISABOXISABOX_Transmediale.jpg" data-mid="218958210" border="0"  src="https://freight.cargo.site/w/1000/i/7be778f35aa63334110a4416a2b458eb6c301e6daa2045d8a7aaaef8c2688e17/HaroldLechien_ABOXISABOXISABOX_Transmediale.jpg" /&#62;📷 Installation View “ A BOX IS A BOX IS A BOX” at Transmediale, 2024. Curated by Jade Barget - 📷 Elodie Meunier, WBI
INTENTION&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The main players in online sales enjoy a stranglehold on
contemporary commerce. Alongside the considerable
quantity of products delivered every day, a large part of
their catalog simply remains ignored or abandoned. Unsold
items are sometimes destroyed, and the return rate on
sales nears 20%. E-commerce companies call upon others,
specialized in inventory clearance, to repackage and resell
these articles in more or less random batches.

					For A BOX IS A BOX IS A BOX, the artists purchased some of
these randomized lots and filmed their unboxing in the
exhibition space. As we attempt to breach the circulation
of goods, an additional link infiltrates its abstract and
crushing logic ; and by distorting amateur unboxing videos
shared on the internet, experience takes over : the tactile,
material, and sensory experience of opening, discovering
and accumulating stuff - because that’s what it is, mostly :
just stuff. As we fluctuate between euphoria and nihilism,
we are brought to feel the absurd emotion of global
production and consumption.
First show “A BOX IS A BOX IS A BOX” at Espace Triphasé - 09.2022


	&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/41b844c36cc13abfa497094a36e6c05b5e6c2ad8caa3b68967c34635bda958b1/ABOX_Img1.jpg" data-mid="157488972" border="0"  src="https://freight.cargo.site/w/1000/i/41b844c36cc13abfa497094a36e6c05b5e6c2ad8caa3b68967c34635bda958b1/ABOX_Img1.jpg" /&#62;📷 Installation View “ A BOX IS A BOX IS A BOX” at Espace Triphasé - 2022


&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e651f46a54eabcbca07cd86c6970e8cdb038acd738f30b3c8db590c446e2ec6b/ABOX_Img2.jpg" data-mid="157589123" border="0"  src="https://freight.cargo.site/w/1000/i/e651f46a54eabcbca07cd86c6970e8cdb038acd738f30b3c8db590c446e2ec6b/ABOX_Img2.jpg" /&#62;&#60;img width="3942" height="3942" width_o="3942" height_o="3942" data-src="https://freight.cargo.site/t/original/i/7dbba7471903a29458aacc32bfc9e665b2038731bad736651648eb8cf3571d0a/ABOX_Img3.jpg" data-mid="157589125" border="0"  src="https://freight.cargo.site/w/1000/i/7dbba7471903a29458aacc32bfc9e665b2038731bad736651648eb8cf3571d0a/ABOX_Img3.jpg" /&#62;&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/04b6ef6318746c8d445ac2878d986aff95c5403ad179ee47f14118ae97c50d52/ABOX_Img4_low.jpg" data-mid="157589128" border="0"  src="https://freight.cargo.site/w/1000/i/04b6ef6318746c8d445ac2878d986aff95c5403ad179ee47f14118ae97c50d52/ABOX_Img4_low.jpg" /&#62;&#60;img width="3347" height="3347" width_o="3347" height_o="3347" data-src="https://freight.cargo.site/t/original/i/0da7b4a322a91f967a9948f1e0a53dd71379215b6be30ee1d794109195068cbc/ABOX_Img5.jpg" data-mid="157589131" border="0"  src="https://freight.cargo.site/w/1000/i/0da7b4a322a91f967a9948f1e0a53dd71379215b6be30ee1d794109195068cbc/ABOX_Img5.jpg" /&#62;&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e785eab9ccdce72f90bbb1bbf76802fedf97087e409a1acc77163d8d1a39c493/ABOX_Img6.jpg" data-mid="157589133" border="0"  src="https://freight.cargo.site/w/1000/i/e785eab9ccdce72f90bbb1bbf76802fedf97087e409a1acc77163d8d1a39c493/ABOX_Img6.jpg" /&#62;&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c140cdf48cae17ff72366ad6717a75f52218c35992e91f2e28fedd21845f3748/ABOX_Img7.jpg" data-mid="157589137" border="0"  src="https://freight.cargo.site/w/1000/i/c140cdf48cae17ff72366ad6717a75f52218c35992e91f2e28fedd21845f3748/ABOX_Img7.jpg" /&#62;
&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/63dcc6037093f9671d1e4330614cbae4350652132f023c91f83ec3078563e642/ABOX_Img8.jpg" data-mid="157589139" border="0"  src="https://freight.cargo.site/w/1000/i/63dcc6037093f9671d1e4330614cbae4350652132f023c91f83ec3078563e642/ABOX_Img8.jpg" /&#62;
&#60;img width="3002" height="3003" width_o="3002" height_o="3003" data-src="https://freight.cargo.site/t/original/i/0c412ff29d1ac585d27e8e0fc605bdbc9d51a835e7136629c5761b45a34951d4/ABOX_Img9.jpg" data-mid="157589141" border="0"  src="https://freight.cargo.site/w/1000/i/0c412ff29d1ac585d27e8e0fc605bdbc9d51a835e7136629c5761b45a34951d4/ABOX_Img9.jpg" /&#62;&#60;img width="3644" height="3643" width_o="3644" height_o="3643" data-src="https://freight.cargo.site/t/original/i/12a8107cebee54218096208c7aa178e6ba61f0bdacc8ab829dd3fba19fd450bd/ABOX_Img10.jpg" data-mid="157589143" border="0"  src="https://freight.cargo.site/w/1000/i/12a8107cebee54218096208c7aa178e6ba61f0bdacc8ab829dd3fba19fd450bd/ABOX_Img10.jpg" /&#62;
&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/99c0acedb57c946b9cc26cc8d6004803b8c916d6eaaddd3190b0d4301d241224/ABOX_Img11.jpg" data-mid="157589144" border="0"  src="https://freight.cargo.site/w/1000/i/99c0acedb57c946b9cc26cc8d6004803b8c916d6eaaddd3190b0d4301d241224/ABOX_Img11.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Lover's Chair</title>
				
		<link>https://haroldlechien.com/Lover-s-Chair</link>

		<pubDate>Mon, 31 Oct 2022 16:22:09 +0000</pubDate>

		<dc:creator>Harold Lechien</dc:creator>

		<guid isPermaLink="true">https://haroldlechien.com/Lover-s-Chair</guid>

		<description>
LOVER’S CHAIR
Exhibited in 2022 for "ADAF" (Design Fair) at La Vallée, Bruxelles, for "Michael's Agency, your success story" at Studio City Gate, Bruxelles and at "Ulterieur" curated by Avee Galerie in October 2022 in Kortrijk.



	&#60;img width="4440" height="4439" width_o="4440" height_o="4439" data-src="https://freight.cargo.site/t/original/i/558f5f88f61635b5591118d542d9bac9c67c7b543558c34ccdec011db8540a7d/Lover-s_Chair.jpg" data-mid="157493466" border="0"  src="https://freight.cargo.site/w/1000/i/558f5f88f61635b5591118d542d9bac9c67c7b543558c34ccdec011db8540a7d/Lover-s_Chair.jpg" /&#62;



📷Antoine Grenez, ADAF, La Vallée, June 2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

Title : Lover’s Chair
Dimensions : 123 x 87 x 44 cmMaterials : Wood, Polystyrene, Desk Chairs, Industrial Clay, Paint, Concrete.
Date : 2022


&#60;img width="2032" height="2032" width_o="2032" height_o="2032" data-src="https://freight.cargo.site/t/original/i/f961062fe197b0dc08cce6abf51c014745a63f9e4b9cba1173934c97795f03b1/Lover-s-chair_detail.jpg" data-mid="157493465" border="0"  src="https://freight.cargo.site/w/1000/i/f961062fe197b0dc08cce6abf51c014745a63f9e4b9cba1173934c97795f03b1/Lover-s-chair_detail.jpg" /&#62;📷Antoine Grenez, ADAF, La Vallée, June 2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Loves me, loves me not</title>
				
		<link>https://haroldlechien.com/Loves-me-loves-me-not</link>

		<pubDate>Tue, 01 Nov 2022 18:54:28 +0000</pubDate>

		<dc:creator>Harold Lechien</dc:creator>

		<guid isPermaLink="true">https://haroldlechien.com/Loves-me-loves-me-not</guid>

		<description>LOVES ME, 
LOVES ME NOT


&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/9b151a1aec3a5b3da1daec2796a2fc2d3c8f62febbaa1bc24265878895acb05f/Harold_Lechien.jpg" data-mid="157681890" border="0"  src="https://freight.cargo.site/w/1000/i/9b151a1aec3a5b3da1daec2796a2fc2d3c8f62febbaa1bc24265878895acb05f/Harold_Lechien.jpg" /&#62;📷 Détail - Harold Lechien - “Loves me, loves me not” - Galerie Zotto - Cendar Brussels @KBK - Bruxelles
</description>
		
	</item>
		
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